Professor Yao Yongkang is thin and slow, and it is hard to imagine that in some special eras he has experienced, he appears in the image of people as a hero. In the 60s of the last century, he stood on a high scaffolding and smeared three real-life portraits of Chairman Mao in the literary propaganda team's rejoicing. In the 70th era, he hid in the wood kiln of the Jianguo Porcelain Factory. The bronze "Ma Ting Fei Yan" was turned into a porcelain sculpture, and the use of color glaze decoration ceramic works was started. In the 80th era, the large-scale urban sculptures "Tao" and "Porcelain" he cooperated with Kang Jiazhong were built at Jingdezhen Railway Station. It is included in the “50 sculptures of China's cities†and ranks 20th. In the 90th era, his "Reconciliation" was awarded the award-winning work by the 7th Art Exhibition, but in the end it was "blocked" and became a major work in the art world. Because it is the first human sculpture in China, it is deformed. Sexy, transcends the beauty unique to Eastern women... In addition to doing some large-scale sculptures for some cities, Yao Yongkang is committed to the creation of modern ceramic art. Yao Yongkang, a prestigious "Sculpture" magazine published in June 2004, said: "He is the pioneer of the modernization of modern ceramic art style." The Korea International Ceramics Expo listed him as the 38 representatives of the 20th century international modern ceramic art. One of the characters. Yao Yongkang once again came to the forefront of the times. On the morning of June 22, in the abandoned workshop of the world porcelain factory, the reporter saw Yao Yongkang. In this rented operation room, he is here to do "Supervised Taoist Tang Ying", a private helper like a migrant worker. Helping him collect things. Yao Yongkang told reporters with great regret that there is no textual information related to him here. If he wants to interview, he can only listen to him from the beginning. "During the Cultural Revolution" escaped a difficult time Reporter: Your Jingdezhen dialect is very authentic. Are you a Jingdezhen person? Yao Yongkang: I am from Ningbo, Zhejiang. After his birth in 1942, he has always grown up in Nanchang. In 1962, I took the Jingdezhen Ceramic Institute. After that, I basically did not leave Jingdezhen. Now I am also a Jingdezhen person! Reporter: Have you ever left Jingdezhen in the past? Yao Yongkang: The era when I was studying was a very special era. The end of the university is the beginning of the "Cultural Revolution." The "Cultural Revolution" was a disaster for the entire Chinese nation, but I was fortunate enough to become a "human figure" in the literary and art circles because of a pen and a carving knife. At that time, painting Chairman Mao was like the biggest political task. I painted street paintings, posters, giant statues of Chairman Mao, and themed exhibitions. Therefore, I became the "red man" in people's minds. When I painted the portrait of Chairman Mao in the square, sometimes there was a literary propaganda team to sing and dance. Despite my poor birth, I escaped the bad luck of the village because of the president’s painting. Like my friend Kang Jiazhong, I used to go down to a small mountain village called Xingtian, where I experienced the biggest suffering in my life. In 1970, I was responsible for amending a comic book. This comic book reflects the story of a worker in Luoqi Porcelain Factory called Luo Selling. I also sometimes returned to Nanchang to make a revision in the Jiangxi People’s Publishing House and make changes. I was able to stay in Nanchang, but some of the work that took place during this period changed my mind. After the manuscript was changed, I decided to return to Jingdezhen. First and foremost, because the manuscript was changed to a face-lift, until "people are disgusted to spit and pass", I am disgusted with political art, and because of the inferiority of the world, there is a sense of insecurity. Now I want to come, the works of the time are closer to the "religious paintings", except for the duties, which are some empty art styles. Although the skills are exercised, the paintings are naturally disgusting after painting for a long time. Only pottery can express my personal feelings. Reporter: After returning to Jingdezhen, what kind of changes have occurred in your orbit? Yao Yongkang: I no longer like the original "out of the box" days. It didn't take long for me to transfer to the Jianguo Porcelain Factory, and it was more than 10 years. It was here that I came into contact with the color glaze and used it to decorate my porcelain sculpture "Ma Ting Fei Yan". This work was born out of bronze sculpture. The price of each book is 250 yuan. It is a sky-high price. Because of the success of this book, I was able to create the conditions for ceramic art that I can't have now. At that time, some "political tasks" were not cost. At that time, I had my own work room and had 4 helpers. And Jingdezhen’s cooperation with experts who have the most research on ceramic glazes, such as Zuo Dongyu and Li Qicai, and the best firewood kiln in the world, the town kiln, can be said that this is the creation of ceramics in my life. The best period. I still want to come here, still very attached. Reporter: Why do you say this? Yao Yongkang: The environment of the Jianguo Porcelain Factory, the ceramic art vocabulary has been fully reflected there. Many of the works of the time are actually ceramic works in the true sense. However, we did not know intuitively about pottery. It was not until 1987 that Mr. Lin Maozhong of the Ministry of Youth Industry came to Jingdezhen to bring such a message. Pottery is an independent art category other than sculpture and painting. Just a few years ago, some foreign ceramic artists came to Jingdezhen, and they also went to the Jianguo Porcelain Factory to visit the "Rohan belly" (the town kiln custom you), they came all the way with the same state of pilgrimage. I am very sorry that for some reason, this kiln has been dismantled. This is a great loss of human civilization, because this kiln represents the past glory of Jingdezhen. I don't dare to go back and see it, I will feel heartache. Reporter: When did you leave the porcelain factory and what kind of change in the style of creation after you arrived at the campus? Yao Yongkang: In 1980, I left the porcelain factory and transferred to the art department of the Ceramic Institute as a teacher. From then on, the art creation in the true sense was started, and each time there was a sculpture work to participate in the national art exhibition. My work has always been very avant-garde, and some works have caused widespread controversy in the art world. Not long ago, I went to Nanchang for a business trip. After going through the Jiangxi Art Theatre, I went in and saw it. I was invited to create an embossed rock painting for them 10 years ago. At that time, I thought that this book was too general and always covered with the set. It was only now that the exhibition was revealed. This relief called "Wuhua Tianbao" is composed of a general musical instrument, the sun, the stars, the moon, the water, the highway and other images, forming a severe symphony. The operator here knows that I am the author of this work and said: I couldn't understand it, but I don't understand it now, but it feels very good. In fact, this is just one of my many public art works. It is ceramic art that expresses my personal feelings. Because public art has a sense of responsibility. The creation of pottery is the same as writing a diary, and it can express the emotions, emotions and personal feelings in the heart. For more information on bronze sculptures, go to http:// yoga mat towel Huaian Meisiyu Textiles Co.,Ltd , https://www.comfortrobe.com