Classical literature is the jewel of Chinese culture. Although the jade and jadeite cultural materials reflected in classical literary works are not comprehensive and systematic, and even slightly repetitive, they can still see the development process of jade culture in history from different sides and in the folk. Accepted status. The reflection of gemstone jade culture in various era literatures The pre-Qin period is a period of accumulation and gestation of the jade and jade culture of Huaxia. Many of the allusions and legends about the jade gems were born in this period. People are gradually deepening their understanding of the role of gemstones and jadeites in beautifying their lives. Reflected in the literary works, there is a great tradition of depicting the jade and jadeite culture, that is, the decorative value and use value of the jade and jadeite in daily life. For example, Qu Yuan wrote in the Nine Songs.兮絷 four horses, aiding the jade slamming drums, and "jasper" refers to the drumsticks of jade. Another example is "Li Sao" "Folding Qiongzhi thinks ashamed, Jingqiong thinks. For Yuyao Feilong, Zao Yaoxiang thinks that the car, ... Yang Yun Ni Zhi, Ming Yu Yu Zhi", "Joan" is Qiong Jade's fines, "Zhong Yaoxiang thinks the car" means that the jade and ivory are decorated in the car. Although these scenes have been written in a huge amount, the overall intention is very simple. However, it is a meticulous description of the jade and jadeite, and the poet's romantic feelings. It includes both the ancient people's respect for the jade and jadeite jade, and the poet's longing for and pursuit of a better life. At the same time, the jade jadeite often appears as a luxurious ornament in the ideal world where literary works are higher than real life. It also reflects that the jade and jadeite culture at that time has not yet been fully popularized in the private sector, let alone the prevailing trend. This is due to the limitations of production capacity in the pre-Qin period and the backwardness of living standards. It can be seen from the Qin, Han, Wei, Jin, Southern and Northern Dynasties that this long period of history is the accumulation period and development stage of jewelry culture. The depiction of gemstone jade in literature continues to highlight their aesthetic function and practical use as accessories, and on the other hand has begun to give them special decorative functions. On the one hand, the gemstone jade craftsmanship and use in the literary works of this period are more diverse. For example, the varieties and styles of jade in the pre-Qin period were relatively simple. In the Qin and Han Dynasties, not only the "Jade of Kunshan", the "treasure of the easyness", the "bead of the moon", the "wall of luminous" (see Li Si's "The Book of the Guest" often appear). We can even read "Jade Dou" (Jade Cup) in "Historical Records? Xiang Yu Ji Ji"; in the "South of War City" in Han Yuefu, I read "double beads" (that is, the å of the pendants at both ends); "The ancient poems for Jiao Zhongqing's wife and his predecessor" read "ears and moons" (earrings made by Mingyuezhu); in Cao Zhi's "beauty articles" read "Yu Yu is not safe" (Jade refers to the ç’‹, together with 帛 as an ancient The hiring ceremony, etc., all indicate that the jadeite jade has moved from the court to the folk, and is no longer a rarity in the hearts of people in poetry. Therefore, the development of the jadeite jade culture is closely related to the improvement of people's living standards. More importantly, the style of jade is more diverse, and the craftsmanship requirements are more refined, which indicates that the use has penetrated into every aspect of daily life. On the one hand, some jadeite jade has been widely used in poetry as a symbol of good things or a special mark. For example, in the "Western Zhouqu", "the hand is as clear as jade" is the use of jade-shaped hand-to-hand white. Another example is "The Ancient Poetry for Jiao Zhongqing's Wife and Preface", which has the sentence "Judan with Zhu Dan". "Zhu Dan" refers to the red gemstone, which is used for the red lips of the lips. The most typical example is "The History of the Book? Xiang Yu Ji Ji" in the "Fan Zeng number of kings, the end of the Pei Yu to show the talent, the king Wang silently should not." This "jade" is a jade ornament, because it is a homonym with "decision", so the jade is to indicate that Xiang Yu is making decisions. This homophonic usage was originally inherited from the pre-Qin Qu Yuan article. It can be seen that the Qin, Han, Wei, Jin and Southern and Northern Dynasties were the stage of the development of the jade and jadeite culture. The literary works used the gemstone jade and jade aesthetics, and the new creative tradition was slowly formed and improved. The influence of the Tang, Song, and Qing dynasty jade and jade culture on literature began to increase in size in the Tang Dynasty. The phenomenon that literati used the jadeite jade beauty to drop pens at random began to be quite common. Due to the economic prosperity and political stability of the Tang Dynasty, the unprecedented material and cultural life, and the continuous improvement and improvement of the aesthetic mentality of the jade and jadeite culture, the literary method of reflecting the jade and jade culture is becoming more and more sophisticated. The main rhetorical effects are embodied in the following (these features continue into Qing literature): On behalf of the "Yu Yu" refers to the emperor carriage (Lu Zhaolin "Chang'an ancient meaning"); "Jasper" refers to the willow branches (He Zhizhang "å’柳"; "Zhu Cui" refers to the makeup of the 妾 妾 妓 妓 妓 王 王 王 王 王"Fables two" "1"; "Yulou" refers to the Loulou (Wen Tingjun "Buddha Man"); "Yu Yu" refers to the imperial power (Li Shangyin "隋宫") and so on. For example, the "Mingyue" (that is, Mingyuezhu) is compared with Yuxian (Li Bai, "The King of the Twelve Cold Nights, Only Have a Heart"), and "Smell the Water, such as the 呜佩环", that is, the sound of the sound of the ring is compared with the sound of water ( Liu Zongyuan, "To Xiaoqiu West Xiaoshitan" (). Another example is Su Shi's "Jumping in the Wanghu Tower, June 27th." The "jumping bead" is a metaphor for the raindrops. It is not only realistic, but also makes the poems dynamic and can be described as a pen of God. Another example is Xin Qiji's "Shuilong åŸ" in the word "玉簪螺髻", using the sharp metaphor of the mountain peak to compare the effect of the headwear hairstyle, novel and unique, transcendental. Another example is the long time of the "Jade Leak" in Bai Pu's "Wu Tong Yu", and it is so natural! Liu Shizhong's prose song "Shang Gaojian" uses the "yu bamboo shoots" metaphor for talents, vivid and unconventional. In the code of Li Shangyin's "Jin Se", "Yu Haiyue Pearl has tears, Lantian is warm and jade smokes", that is, the dry treasure "Sou Shen Ji" is a kind of jade, saying that Lantian Meiyu is buried in the soil, but still in the sun. Although the smoke is not a heavy thing for the world, it will eventually be revealed to the world. Another example is that Kong Shangren's "Peach Blossom Fan" uses "Tsing Yi title" to imply that Hong Guangdi was desecrated. Because the former Zhao Liucong once married the Emperor of the Qing Dynasty and ordered him to change his clothes to show his embarrassment, and the ancient king of the country who died in the past often named Yu Yu to ask for a treasure. In summary, the jade and jadeites continue to expand their connotations and extensions with the development of classical literature. In the Tang and Song Dynasties, the jade and jadeite jade in the poetry and poetry not only refers to the jade treasure, but also contains the meanings of “beautyâ€, “beauty†and “perfectnessâ€. It entrusts the aesthetic attitude and ideals of different scholars. pursue. Children's lively and active characters and fast-growing bodies are another important factor that our parents should consider when matching clothes for their Babies. 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